A POW in Nazi Germany, Vietnam peace promoter, leading gay rights advocate and loving partner of 46 years to Charles Chiarelli, Taking a Chance on God follows the extraordinary life of 86-year-old Jesuit priest John McNeill. This powerful documentary, tells McNeill’s inspiring story of faith, love and perseverance in the face of oppression and rejection. McNeill, the co-founder of the LGBT Catholic group Dignity NY, author of the revolutionary “The Church and the Homosexual,” and leader in the gay community during the AIDS crisis of the 1980s, has refused to let his voice be silenced despite being expelled from the Jesuits after forty years of faithful service. Chronicling his love for the Church, the LGBT community, his Jesuit brothers and his partner Charlie, “Taking a Chance on God” proves that there can and should be harmony between the gay community and the Catholic Church. (Description courtesy of Emily Suttmeier, Woodstock Film Festival.)

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Look at Me Again is a road movie that whisks us away to the wild, semi-arid expanse of north-eastern Brazil. Our tough, cool travelling companion is Silvyo Luccio (‘… I was born a woman, became a lesbian and am now a man’), a thinker in the throes of transition and transformation who finds himself on a journey back into his religious-fundamentalist, deeply prejudiced, traditionalist past. At the heart of old wounds, humiliation and trauma lies an anxiously awaited encounter with a daughter and the hope of familial reconciliation. Look at Me Again portrays a vibrant human being full of resilience, who has broken free of the sexual catechism’s stale trinity of hetero-homo-bisexuality in order to set off on a different path in search of new horizons. Before him lies a baking hot road through regions marked by grinding poverty, ardent religious faith, superstition and bloated machismo, as well as several encounters with some extraordinary people. (Description courtesy of the Berlinale: The Berlin International Film Festival.)

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According to Audre Lorde’s own description of herself she was: ‘a lesbian, a feminist, black, a poet, mother and activist’. In the 1980s Dagmar Schultz, who at the time was lecturing at the John F. Kennedy Institute at Berlin’s Freie Universität, invited Lorde to Berlin as a visiting professor. This move was to have an enduring influence, for Lorde soon became co-founder and mentor of the AfroGerman movement. In her documentary portrait, Dagmar Schultz distills hitherto unpublished and often very personal material of Lorde that portrays her among her Berlin women friends, fellowtravellers and students, many of whom she encouraged to begin writing.

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