Got it Bad for the Wrong Girl? From the director of the festival circuit hit Hannah Free comes Jamie and Jessie Are Not Together, a romantic musical comedy that tells the story of two queer girls whose codependent, loyal friendship is fraught with erotic tension. Jamie is moving from Chicago to Brooklyn with hopes of becoming a Broadway actress. Her best friend Jessica is bummed because she thinks she’s in love with Jamie. As moving day gets closer, Jessica tries to make Jamie jealous by dating other women, but Jessica’s plan backfires in a way she could never imagine. Within this world of love and lust, Jamie and Jessie must figure out how to grow together, or how to grow apart. “Jamie and Jessie Are Not Together is a sweet, appealing musical comedy,” Roger Ebert.

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Heart of Broadway goes inside Broadway Cares/Equity Fights AIDS for a look at the organization, which, by drawing upon the talents, resources, and generosity of the American theater community, since 1988 has raised more than $195 million for essential services for people with AIDS and other critical illnesses across the United States. The special takes viewers backstage and behind the scenes for conversations with key players who reveal what makes this one of the most influential organizations in the world. Featured celebrities, who’ve repeatedly and graciously donated their time and talents to Broadway Cares, include Denis O’Hare, Marc Kudisch, Jerry Mitchell, Tom Viola, Judith Light, Jen Cody, Terrence McNally, Lillias White, Kathleen Chalfant, Billy Porter, and Ann Harada.

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Vito Russo was at the forefront of every gay rights movement from Stonewall to the AIDS crisis in the 1980s, as a passionate advocate for justice in the newly formed ACT UP, and a co-founder of GLADD. In 1981, he published his landmark book The Celluloid Closet that examined the way Hollywood depicted homosexuality. It was the most extensive record to date of LGBT representation on screen, and forced an examination of film's often-homophobic messages. It still remains the definite text on the subjects and is studied worldwide. With heartwarming and humorous interviews of Vito's family and friends (Armistead Maupin, Jeffrey Freidman, Rob Epstein, and Lily Tomlin among them), and clips from an astonishing collection of film treasures, Vito presents a moving portrait of the person who paved the way for and proved the importance of LGBT film festivals like ours. Even after his death in 1990, his story continues to inspire and his mark on the gay community is unquestionable. (Description adapted from the Seattle Lesbian and Gay Film Festival.)

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