Woman’s Lake takes places in the magical and largely undiscovered landscapes of Brandenburg, the hinterland around Berlin, which is crisscrossed by Europe’s largest network of interconnected lakes. A glorious long weekend in the waning days of summer. The protagonist, Rosa, is a guardian of the lakes and waterways in the magical hinterland north of Berlin. Besides professional fishing, she is in charge of protecting the environment and issuing f ishing licenses, therefore she is a thorn in the side of amateur anglers and tourists. Rosa’s lover Kirsten, a successful architect, lives in a lakeside bungalow, and together the couple play host to two brash and self-confident young students on a weekend break from Berlin. The four women’s intense sexual attraction is fueled by their profoundly different hopes, dreams and worldviews.

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Section 377 is a British colonial law from the Indian Penal Code that criminalizes same sex relations between consenting adults. When Delhi High court struck it down, the LGBTIQ community of India decided to celebrate this in a grand manner with colorful parades, songs and dances. Adele Tulli has not only captured the magnificent scenes of pride celebration, she has also interpreted the personal stories of the struggles of the three protagonists, Beena, Pallav and Abheena. These characters, Beena, Pallav and Abheena travel through the city of Bombay heading to the celebrations for the first anniversary of the historic verdict. 365 without 377 is the story of their journey towards freedom. The film truly makes you understand why it is so important to come out and be proud. Gaze Film Review

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Carlos is spending the summer in the country with his family in order to help out with things. Perhaps he won’t even be returning to the capital, as economic prospects are hardly rosy there either. Extremadura on the other hand, sparsely populated and for a long time one of the most neglected regions in Europe, is experiencing a tentative upturn. Tourism and modernisation rub shoulders with almost archaic customs and a conservative, mostly elderly population here. Sleepless Knights depicts all this in casual, unobtrusive fashion, in images that have at times a truly otherworldly beauty. The central theme is the love story between the newly returned Carlos and the young policeman Juan. “You don’t look like you’re from here,” remarks Juan when they meet. “I’m not from here,“ replies Carlos, “I live in Madrid.” Whether to be from here or elsewhere is a decision that many here have to make. Extremadura, Madrid, maybe even Munich? This uncertainty suffuses their love story with a peculiar sense of tension before the backdrop of a seemingly relaxed, uneventful summer. It is only the old men striding through the austere landscape in their strange knight costumes who remain blissfully untroubled.

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