United in Anger: A History of ACT UP explores the story of ACT UP (the AIDS Coalition to Unleash Power) from the grassroots perspective—how a small group of men and women of all races and classes, came together to change the world and save each other’s lives. The film takes the viewer through the planning and execution of a dozen exhilarating major actions including Seize Control of the FDA, Stop the Church, and Day of Desperation, with a timeline of many of the other zaps and actions that forced the U.S. government and mainstream media to deal with the AIDS crisis. United in Anger reveals the group’s complex culture—meetings, affinity groups, and approaches to civil disobedience mingle with profound grief, sexiness, and the incredible energy of ACT UP. Before there was Occupy Wall Street or the Arab Spring, there was ACT UP.

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Got it Bad for the Wrong Girl? From the director of the festival circuit hit Hannah Free comes Jamie and Jessie Are Not Together, a romantic musical comedy that tells the story of two queer girls whose codependent, loyal friendship is fraught with erotic tension. Jamie is moving from Chicago to Brooklyn with hopes of becoming a Broadway actress. Her best friend Jessica is bummed because she thinks she’s in love with Jamie. As moving day gets closer, Jessica tries to make Jamie jealous by dating other women, but Jessica’s plan backfires in a way she could never imagine. Within this world of love and lust, Jamie and Jessie must figure out how to grow together, or how to grow apart. “Jamie and Jessie Are Not Together is a sweet, appealing musical comedy,” Roger Ebert.

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Director Thom Fitzgerald (The Wild Dogs; The Hanging Garden) evokes virtuoso performances from Oscar-winning actresses Olympia Dukakis and Brenda Fricker in this uproarious dramedy about two women – lovers for 31 years – who must go on the run in order to stay together. Fitzgerald’s film is especially timely against the backdrop of the current marriage battle in Maine taking place this summer. Dukakis plays Stella, an antagonistic, foul-mouthed old bull dyke who lives with her long-time lover– the near-blind and slightly dotty Dot (Fricker)–in their bucolic home by the sea. When Dot’s neurotic granddaughter Molly shows up, announcing that she’s putting Dot in an old folks home, Stella throws her out, giving her an earful in the process. Not to be put off, Molly returns with a policeman and takes Dot away, leaving Stella bereft, but not beaten. Stella soon breaks her out of the home, and the two head for Canada to get married, picking up a young hitchhiker on the way. Thus begins an alternately poignant and riotous comedy that has much to say about the true nature of love and commitment.

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