Called “The True Fairy of Rock & Roll” and “Hype of the Year,” Jobriath’s reign as the f irst openly gay rock star was brief and over by 1975. Now, 35 years later, Jobriath A.D. spotlights his life, music, groundbreaking influence and the new generations of fans slowly re-discovering him. A hymn to the enigmatic, cult glam rocker Jobriath, ‘I am the true fairy of rock’. His brief but fascinating career as an openly gay performer, sometimes called ‘the American Bowie’ is uncovered by this pioneering documentary which has a wealth of archive footage. Adored by Morrissey and The Pet Shop Boys, this is a celebration of a singer-songwriter whose legacy has been all-too-little appreciated; Jayne County, Gloria Jones, Jake Shears, Marc Almond and manager Jerry Brandt are among the interview subjects. Jobriath’s unashamed queerness was just too much for the early 70s. Director Kieran Turner has crafted a rewarding film as a lasting tribute to the creative talent of a major f igure. (Description courtesy of Brian Robinson, BFI London Lesbian and Gay Film Festival.)

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The Invisible Men tells the untold story of persecuted gay Palestinian who have run away from their families and are now hiding illegally in Tel Aviv. Their stories will be told through the f ilm’s heroes: Louie, 32 years old, a gay Palestinian who has been hiding in Tel Aviv for the past 8 years; Abdu, 24 years old, who was exposed as gay in Ramallah and then accused of espionage and tortured by Palestinian security forces; Faris, 23 years old, who escaped to Tel Aviv from the West Bank after his family tried to kill him. Their only chance for survival -- to seek asylum outside Israel and Palestine and leave their homelands forever behind.

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Director Thom Fitzgerald (The Wild Dogs; The Hanging Garden) evokes virtuoso performances from Oscar-winning actresses Olympia Dukakis and Brenda Fricker in this uproarious dramedy about two women – lovers for 31 years – who must go on the run in order to stay together. Fitzgerald’s film is especially timely against the backdrop of the current marriage battle in Maine taking place this summer. Dukakis plays Stella, an antagonistic, foul-mouthed old bull dyke who lives with her long-time lover– the near-blind and slightly dotty Dot (Fricker)–in their bucolic home by the sea. When Dot’s neurotic granddaughter Molly shows up, announcing that she’s putting Dot in an old folks home, Stella throws her out, giving her an earful in the process. Not to be put off, Molly returns with a policeman and takes Dot away, leaving Stella bereft, but not beaten. Stella soon breaks her out of the home, and the two head for Canada to get married, picking up a young hitchhiker on the way. Thus begins an alternately poignant and riotous comedy that has much to say about the true nature of love and commitment.

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