On May 6th, 2009 Maine became the f irst state to legislatively grant same-sex couples the right to marry. Seven months later, a referendum reversed this right, and Maine became thirty-first state to say “no.” Question One, a new documentary by award winning filmmakers Joe Fox and James Nubile, chronicles the fierce and emotional battle. The film chronicles in “War Room” fashion the behind the scenes workings on BOTH sides of the campaign (the first time this has ever been done). With deeply personal and revealing interviews, people bared their hope and heartache as they fought to the finish for an issue framed and anchored in passion and purpose. The film also documents the controversial leading role of California based campaign consultants Frank Schubert and Jeff Flint as referendum proponents. Schubert-Flint Public Affairs headed the 2008 campaign for Proposition 8 in California, and have since taken the lead in a nationwide effort to outlaw same-sex marriage in other states. (Description courtesy of filmmaker.)

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Hold the skepticism—the smart and funny group of people profiled in this fast-moving documentary have heard it all before. Meet Swank Ivy who makes YouTube videos debunking common beliefs; or David Jay, the movement’s poster boy and regular on television talk shows, including The View. (A)sexual documents the growth of this newly organized sexual minority while raising provocative questions about queer inclusiveness and the boundaries of “normal” sexual desire. In 2002 Jay created a website, asexuality.org; today, there are some 26,000 members of AVEN (Asexual Visibility and Education Network). Members discuss coming out as an asexual, their struggles for acceptance, and the various subgroups within the community (to cuddle or not to cuddle?). Along with David Jay and other members of the asexual community, the film features academic researchers who speculate that there are over three million asexuals in the US. Sexperts Carol Queen and Dan Savage weigh in on the f ledgling asexual movement and its place in queerdom. Is it possible that in today’s sexualized society, lack of desire is perversion’s f inal frontier? (Description courtesy of Monica Nolan, Frameline International LGBT Film Festival)

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Sheldon Larry’s audacious, raunchy and big-hearted musical—with songs by Beyonce’s music director Kim Burse and choreography by Beyonce’s dance master Frank Gatson Jr.—takes us into the fabulously funky world of voguing. (Remember the documentary Paris is Burning?) Here the setting is contemporary downtown L.A. Our hunky, homeless hero Brad , discarded by his homophobic mom, falls in with the members of the House of Eminence, ruled by the stern aging diva Queef Latina, who keeps a careful, loving watch over her makeshift family of runaways and throwaways. When two of her crew fall for Brad, the Queef is royally unamused. High flying and low down, Leave it on the Floor is a one of a kind celebration—a gay African-American musical about f inding your true family. (Description courtesy of the LA Film Festival.)

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