Come and enjoy the New England Premiere of this great comedy. Colourful balloon dresses, long party nights in Berlin’s trendy clubs and erotic evenings on the dining table – this is the chaotic relationship of the unequal couple of Ernst and Tobias. Though opposites attract, respectable banker Ernst is often unsure, whether bubbly and always cheerful Tobias takes their relationship as seriously as he does. Soon they rise to a challenge of every relationship: everyday living together and mutual trust. The sudden appearance of Uta, Ernst’s eccentric school friend, fundamentally changes their relationship. Uta forges out a scheming plan, which Ernst completely falls for. Together with his friends, Tobias spares no efforts to checkmate the unwelcome guest as soon as possible – and sets events in motion that increasingly get out of control.   To date, the German gay movie was mostly limited to coming out stories of young men. “Men to kiss” charmingly proves that homosexuality can play another role in gay movie and replaces common clichés with authentic everyday stories. “Men to kiss”: an entertaining comedy about love, friendship and Berlin, full of vivid dialogues and emotional moments, that captivates the viewer with its taking characters from the first minutes on.

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When Troy (Murray Bartlett) returns to Los Angeles after a multiyear foray in Barcelona, he contacts Jonathan (Daniel Dugan), the object of his desire during a short-lived, intense summer fling f ive years earlier. Their still-smoldering connection is obvious from the first, but Jonathan tries to fight his desires while his live-in boyfriend Raoul (Adrian Gonzalez) approaches the situation with a hands-off approach. Meanwhile, Troy’s inability to make a commitment one way or the other complicates matters. Lovingly shot and languidly told, August uses the perspectives of all three men and a muddled timeline to tell their stories, successfully mixing Rashomon with a dash of Memento to give a unique twist to the romantic-triangle genre. Writer and director Eldar Rapaport. (Description courtesy of Seattle International Film Festival.)

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Section 377 is a British colonial law from the Indian Penal Code that criminalizes same sex relations between consenting adults. When Delhi High court struck it down, the LGBTIQ community of India decided to celebrate this in a grand manner with colorful parades, songs and dances. Adele Tulli has not only captured the magnificent scenes of pride celebration, she has also interpreted the personal stories of the struggles of the three protagonists, Beena, Pallav and Abheena. These characters, Beena, Pallav and Abheena travel through the city of Bombay heading to the celebrations for the first anniversary of the historic verdict. 365 without 377 is the story of their journey towards freedom. The film truly makes you understand why it is so important to come out and be proud. Gaze Film Review

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