From the acclaimed director of Married Life and Forty Shades of Blue comes a haunting, subtle tale of a contemporary gay relationship. Debuting at Sundance and winning the Teddy Award at the 2012 Berlinale, Keep the Lights On is a visually stunning film that “breaks new ground in contemporary American gay cinema” (The Hollywood Reporter). The deeply personal story charts the highs and lows of an emotionally and sexually charged relationship between two men. It’s 1997 and New York City is in a state of intense flux when documentary filmmaker Erik Rothman (Thure Lindhardt) first meets Paul Lucy (Zachary Booth), a handsome but closeted lawyer in the publishing field. What begins as a highly charged first encounter soon becomes something much more, and a relationship quickly develops. Told over the course of ten years, this is a film about sex, friendship, intimacy and most of all, love.

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Director Thom Fitzgerald (The Wild Dogs; The Hanging Garden) evokes virtuoso performances from Oscar-winning actresses Olympia Dukakis and Brenda Fricker in this uproarious dramedy about two women – lovers for 31 years – who must go on the run in order to stay together. Fitzgerald’s film is especially timely against the backdrop of the current marriage battle in Maine taking place this summer. Dukakis plays Stella, an antagonistic, foul-mouthed old bull dyke who lives with her long-time lover– the near-blind and slightly dotty Dot (Fricker)–in their bucolic home by the sea. When Dot’s neurotic granddaughter Molly shows up, announcing that she’s putting Dot in an old folks home, Stella throws her out, giving her an earful in the process. Not to be put off, Molly returns with a policeman and takes Dot away, leaving Stella bereft, but not beaten. Stella soon breaks her out of the home, and the two head for Canada to get married, picking up a young hitchhiker on the way. Thus begins an alternately poignant and riotous comedy that has much to say about the true nature of love and commitment.

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Where do you go if you grew up unpopular and pimply, having unrequited crushes on boys in the rugby team and wishing to be transported to the exotic yet often papier-mache worlds of English science fiction serials? How do you cope if you are both a geek, and gay? Outland is a situation comedy from the producers of Summer Heights High and John Safran’s Race Relations that revolves around a gay science-fiction club. It is a comedy about belonging, and how everyone searches to find a place where they fit in.  Episodes 1-3: Bondage & Bionics. Open about their sexuality but not so much about their geekdom, the gang outs one of their own on a first date, stumbles into a complicated BDSM scene, and faces the Khan-like wrath of their club’s former leader. (Description courtesy of the Seattle Lesbian and Gay Film Festival.)

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