Hold the skepticism—the smart and funny group of people profiled in this fast-moving documentary have heard it all before. Meet Swank Ivy who makes YouTube videos debunking common beliefs; or David Jay, the movement’s poster boy and regular on television talk shows, including The View. (A)sexual documents the growth of this newly organized sexual minority while raising provocative questions about queer inclusiveness and the boundaries of “normal” sexual desire. In 2002 Jay created a website, asexuality.org; today, there are some 26,000 members of AVEN (Asexual Visibility and Education Network). Members discuss coming out as an asexual, their struggles for acceptance, and the various subgroups within the community (to cuddle or not to cuddle?). Along with David Jay and other members of the asexual community, the film features academic researchers who speculate that there are over three million asexuals in the US. Sexperts Carol Queen and Dan Savage weigh in on the f ledgling asexual movement and its place in queerdom. Is it possible that in today’s sexualized society, lack of desire is perversion’s f inal frontier? (Description courtesy of Monica Nolan, Frameline International LGBT Film Festival)

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Once again we bring you the best in men’s short films. We’ll be screening the world premiere of Vince Sandoval’s documentary on the 2011 Harbour to Bay ride H2B Angels along with fun, sad, challenging, and just plain queer short films as well as the world premiere of local filmmaker David Young’s Last Man Out.

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In June 2003, the Episcopal Church in New Hampshire came under fire when it became the first to elect an openly gay man, Gene Robinson, as a bishop. Since that flash point, Robinson has been at the center of the contentious battle for LGBT people to receive full acceptance in the faith. Director Macky Alston (whose film, Family Name, won the Freedom of Expression Award at the 1997 Sundance Film Festival) follows Robinson into the breach in the struggle for equality. While resolute in his calling, Robinson grows increasingly critical of the central role that religious institutions have played in fostering homophobia and hatred. He is pointedly not invited to a once-a-decade convocation of bishops and courts controversy by attending. His presence the next year for the Episcopal General Convention underscores the impact of its impending decisions about the church’s stance on the consecration of future gay bishops and the performance of same-sex marriage ceremonies. While Robinson never intended to be the poster boy for gay bishops, Love Free or Die demonstrates that he has become a beacon of hope for millions. His history-making church provides a model for other communities of faith to treat all people with dignity and respect, regardless of their sexuality. (Description courtesy of the Sundance Film Festival.) Winner, U.S. Documentary Special Jury Prize for An Agent of Change, Sundance Film Festival.

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