Got it Bad for the Wrong Girl? From the director of the festival circuit hit Hannah Free comes Jamie and Jessie Are Not Together, a romantic musical comedy that tells the story of two queer girls whose codependent, loyal friendship is fraught with erotic tension. Jamie is moving from Chicago to Brooklyn with hopes of becoming a Broadway actress. Her best friend Jessica is bummed because she thinks she’s in love with Jamie. As moving day gets closer, Jessica tries to make Jamie jealous by dating other women, but Jessica’s plan backfires in a way she could never imagine. Within this world of love and lust, Jamie and Jessie must figure out how to grow together, or how to grow apart. “Jamie and Jessie Are Not Together is a sweet, appealing musical comedy,” Roger Ebert.

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Sheldon Larry’s audacious, raunchy and big-hearted musical—with songs by Beyonce’s music director Kim Burse and choreography by Beyonce’s dance master Frank Gatson Jr.—takes us into the fabulously funky world of voguing. (Remember the documentary Paris is Burning?) Here the setting is contemporary downtown L.A. Our hunky, homeless hero Brad , discarded by his homophobic mom, falls in with the members of the House of Eminence, ruled by the stern aging diva Queef Latina, who keeps a careful, loving watch over her makeshift family of runaways and throwaways. When two of her crew fall for Brad, the Queef is royally unamused. High flying and low down, Leave it on the Floor is a one of a kind celebration—a gay African-American musical about f inding your true family. (Description courtesy of the LA Film Festival.)

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Called “The True Fairy of Rock & Roll” and “Hype of the Year,” Jobriath’s reign as the f irst openly gay rock star was brief and over by 1975. Now, 35 years later, Jobriath A.D. spotlights his life, music, groundbreaking influence and the new generations of fans slowly re-discovering him. A hymn to the enigmatic, cult glam rocker Jobriath, ‘I am the true fairy of rock’. His brief but fascinating career as an openly gay performer, sometimes called ‘the American Bowie’ is uncovered by this pioneering documentary which has a wealth of archive footage. Adored by Morrissey and The Pet Shop Boys, this is a celebration of a singer-songwriter whose legacy has been all-too-little appreciated; Jayne County, Gloria Jones, Jake Shears, Marc Almond and manager Jerry Brandt are among the interview subjects. Jobriath’s unashamed queerness was just too much for the early 70s. Director Kieran Turner has crafted a rewarding film as a lasting tribute to the creative talent of a major f igure. (Description courtesy of Brian Robinson, BFI London Lesbian and Gay Film Festival.)

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