Director
Sheldon Larry
Year
2011
Run Time
106
min
Country
USA
Language
English
PROGRAM Time
minutes
CONTENT WARNING:
Kicked out of his home for being gay, a young man (Ephraim Sykes) finds a new family with Los Angeles drag queens.
This film is presented in English with English subtitles.
Sheldon Larry’s audacious, raunchy and big-hearted musical—with songs by Beyonce’s music director Kim Burse and choreography by Beyonce’s dance master Frank Gatson Jr.—takes us into the fabulously funky world of voguing. (Remember the documentary Paris is Burning?) Here the setting is contemporary downtown L.A. Our hunky, homeless hero Brad , discarded by his homophobic mom, falls in with the members of the House of Eminence, ruled by the stern aging diva Queef Latina, who keeps a careful, loving watch over her makeshift family of runaways and throwaways. When two of her crew fall for Brad, the Queef is royally unamused. High flying and low down, Leave it on the Floor is a one of a kind celebration—a gay African-American musical about f inding your true family. (Description courtesy of the LA Film Festival.)
Wicked Queer is proud to co-present this program with
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CONTENT WARNING:
Two bodies intertwine in complex moments.
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J.J. is an aspiring M.C. who’s taken London’s outlaw urban music scene by storm. He’s got the skills, the rhymes, and the drive. But he may run into a few hurdles on his reach for greatness; he’s white, he’s from the sticks, and he’s gay. J.J.’s resolved to come out onstage at the Urban Slam Finals, bringing his boyfriend Orlando along as moral support. While J.J. is onstage, the frustrated competing band, Illmanics, take out their rage on Orlando, beating him so badly that he suffers permanent brain damage. A victim reconciliation program brings J.J. face to face with Orlando’s attackers. (Description courtesy of Trista Kendall, Frameline International LGBT Film Festival.)
JJ is an aspiring MC exploding onto London’s exciting outlaw urban music scene. He’s got the skills, he’s got the rhymes, and he’s got the drive. But there’s a problem — not only is JJ a white boy from the sticks — he’s also gay. And gay — in the world of hip-hop and ragga — ain’t good. So when JJ resolves to come onstage at the Urban Slam Finals, taking his boyfriend Orlando with him, he knows it’s going to get a bit grimy… but when the couple falls foul of the Infamous ghetto-rap crew, the Ilford Illmanics and Orlando is beaten into a state of permanent brain-damage, all of their lives are changed forever in a way no one could have ever foreseen.
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