Danger! The ozone layer of planet Zots is disappearing due to an overabundance of emotion! What can a lesbian space alien do to save her world? Well, board a flying saucer of course, and take a trip to New York City (it’s on planet Earth), where hearts will be broken and “big feelings” will be overcome. From the out-of-this-world people who brought you the wonderful shorts Dyke Dollar, Countertransference, and Hold Up comes the tale of codependent Barr, promiscuous Zylar, and sweet Zoinx, three shiny-headed space aliens on a mission of heartbreak. Can love survive the trials and tribulations of intergalactic romance? With the low-fi kitsch of 50s B movies, director Madeleine Olnek embraces what sci-fi fans have known for years—outer space is the perfect setting for the final frontier of relationship drama. Soup up your cardboard spaceship, put on your tinfoil hat, and find the nearest wormhole to claim your seats for the hilarious Sundance hit Codependent Lesbian Space Alien Seeks Same. (Description courtesy of Alexis Whitham, Frameline International LGBT Film Festival.)

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For the first time ever we are collaborating with MIX NYC to bring the best in queer experimental film to the festival. Founded in 1987 by author Sarah Schulman and filmmaker Jim Hubbard, MIX NYC produces New York’s longest-running lesbian & gay film festival. MIX NYC promotes, produces and preserves experimental media that is rooted in the lives, politics, and experiences of lesbian, gay, bisexual, transgender and otherwise queer-identified people. MIX’S work challenges mainstream notions of gender and sexuality while also upending traditional categories of form and content. (This program was curated by Bug Davidson.)

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Carlos is spending the summer in the country with his family in order to help out with things. Perhaps he won’t even be returning to the capital, as economic prospects are hardly rosy there either. Extremadura on the other hand, sparsely populated and for a long time one of the most neglected regions in Europe, is experiencing a tentative upturn. Tourism and modernisation rub shoulders with almost archaic customs and a conservative, mostly elderly population here. Sleepless Knights depicts all this in casual, unobtrusive fashion, in images that have at times a truly otherworldly beauty. The central theme is the love story between the newly returned Carlos and the young policeman Juan. “You don’t look like you’re from here,” remarks Juan when they meet. “I’m not from here,“ replies Carlos, “I live in Madrid.” Whether to be from here or elsewhere is a decision that many here have to make. Extremadura, Madrid, maybe even Munich? This uncertainty suffuses their love story with a peculiar sense of tension before the backdrop of a seemingly relaxed, uneventful summer. It is only the old men striding through the austere landscape in their strange knight costumes who remain blissfully untroubled.

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