Director
Jim Hubbard
Year
2012
Run Time
93
min
Country
USA
Language
English
PROGRAM Time
minutes
CONTENT WARNING:
United in Anger: A History of ACT UP is an inspiring documentary about the birth and life of the AIDS activist movement from the perspective of the people in the trenches fighting the epidemic. Utilizing oral histories of members of ACT UP, as well as rare archival footage, the film depicts the efforts of ACT UP as it battles corporate greed, social indifference, and government negligence.
This film is presented in English with English subtitles.
United in Anger: A History of ACT UP explores the story of ACT UP (the AIDS Coalition to Unleash Power) from the grassroots perspective—how a small group of men and women of all races and classes, came together to change the world and save each other’s lives. The film takes the viewer through the planning and execution of a dozen exhilarating major actions including Seize Control of the FDA, Stop the Church, and Day of Desperation, with a timeline of many of the other zaps and actions that forced the U.S. government and mainstream media to deal with the AIDS crisis. United in Anger reveals the group’s complex culture—meetings, affinity groups, and approaches to civil disobedience mingle with profound grief, sexiness, and the incredible energy of ACT UP. Before there was Occupy Wall Street or the Arab Spring, there was ACT UP.
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SPOTLIGHT
US PREMIERE
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FROM 2012
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Carlos is spending the summer in the country with his family in order to help out with things. Perhaps he won’t even be returning to the capital, as economic prospects are hardly rosy there either. Extremadura on the other hand, sparsely populated and for a long time one of the most neglected regions in Europe, is experiencing a tentative upturn. Tourism and modernisation rub shoulders with almost archaic customs and a conservative, mostly elderly population here. Sleepless Knights depicts all this in casual, unobtrusive fashion, in images that have at times a truly otherworldly beauty. The central theme is the love story between the newly returned Carlos and the young policeman Juan. “You don’t look like you’re from here,” remarks Juan when they meet. “I’m not from here,“ replies Carlos, “I live in Madrid.” Whether to be from here or elsewhere is a decision that many here have to make. Extremadura, Madrid, maybe even Munich? This uncertainty suffuses their love story with a peculiar sense of tension before the backdrop of a seemingly relaxed, uneventful summer. It is only the old men striding through the austere landscape in their strange knight costumes who remain blissfully untroubled.
As every year Carlos is spending the summer in the country with his family in order to help out with things. Perhaps he won’t even be returning to Madrid, as economic prospects are hardly rosy there. In addition, his father’s health is failing and he needs Carlos to help. In this town, where the elders still celebrate the medieval rites, Carlos meets a young policeman Juan and they fall in love. A friendship ensues amidst age-old rituals and a crisis of a nation, all this set against a spectacular backdrop which seems somehow not of this world.
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