After 42 years, feisty and delightful lesbian couple Edie and Thea are finally getting married. From the early ’60s to the present day, the tireless community activists persevere through many battles, both personal and political. These two compassionate and brave women are a model of courage and strenght that speaks to everyone, of any age. Through this film audiences will recognize that dancing, like loving, can continue at any age, and rediscover the timeless message “don't postpone joy.” Susan Muska and Greta Olafsdottir (The Brandon Teena Story) return with a love story of two remarkable women whose commitment to each other is an inspiration to us all. Directors will be in attendance.

Shot in and around Boston, Gen Silent explores the complex issue of LGBT elderly who are sometimes forced back into the closet when they try to obtain long-term/health care. Filmmaker Stu Maddux (Bob and Jack's 52-Year Adventure, Trip to Hell and Back) asked six LGBT seniors if they will hide their lives to survive. They put a face on what experts in the film call an epidemic: gay, lesbian, bisexual or transgender seniors so afraid of discrimination, or worse, in long-term/health care that many go back into the closet. And, their surprising decisions are captured through intimate access to their day-to-day lives over the course of a year in Boston, Massachusetts. Unlike any previous LGBT film about aging, Gen Silent startlingly discovers how oppression in the years before Stonewall now leaves many elders not just afraid but dangerously isolated. Many of our greatest generation are dying prematurely because they don't ask for help and have too few people in their lives to keep an eye on them. Gen Silent brings these issues into the open for the first time. The film shows the wide range in quality of paid caregivers --from those who are specifically trained to make LGBT seniors feel safe, to the other end of the spectrum, where LGBT elders face discrimination, neglect or abuse. (Who would have expected caregivers to try to religiously convert these elders at their bedside!) As we journey through the challenges that these men and women face, we also see reasons for hope as each subject crosses paths with a small but growing group of impassioned professionals trying to wake up the long-term and healthcare industries to their plight.

The story is about a young American academic, Omar Razaghi (Metwally), who attempts to persuade the reluctant heirs of a celebrated Uruguayan novelist, Jules Gund, to allow him to write an authorized biography of the writer, who has recently died. Undeterred by the executors' adamant refusal, and urged on by his vehemently ambitious girlfriend (Lara), another academic, Razaghi turns up uninvited on the family's doorstep in a remote corner of Uruguay, hoping to change their minds. Before long, he is joined there by his super-efficient girlfriend, Deirdre. The Gund family, living in two big rundown houses on an overgrown, steamy estancia named "Ocho Rios," reacts to the intrusion in different ways. The writer's widow Caroline Gund (an unusually acerbic Laura Linney) stubbornly states with every breath that she will never, never give her permission. The writer's brother Adam Gund (Hopkins) has a contrary opinion: a biography can only help to keep the writer's name before a book-buying public. The writer's young mistress Arden Langdon (Gainsbourg) at sides with Caroline. Then, as she begins to fall for Omar -- or is she succumbing only to the charm of someone, anyone, new? -- she changes her mind. Two further supporters of Omar are Gund's ten-year-old daughter Portia, and Pete, Adam's practical-minded companion (Sanada). How Omar comes in time to have his wish granted, and the effect of that on his future, makes up the plot of this film about the random nature of love and the ways in which we avoid or confront life's choices. (Movie description courtesy of Merchant Ivory Films.)