Director
Cheryl Dunye
Year
1996
Run Time
85
min
Country
United States
Language
English
PROGRAM Time
minutes
CONTENT WARNING:
Cheryl, a young black lesbian, works a day job in a video store while trying to make a film about a black actress from the 1930s known for playing the stereotypical “mammy” roles relegated to black actresses during that period. This was the first feature film directed by an “out” black lesbian.
This film is presented in English with English subtitles.
In honour of Cheryl Dunye's new film The Owls we are pleased to be screening the film that made her a household name.
Wicked Queer is proud to co-present this program with
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SPOTLIGHT
US PREMIERE
WORLD PREMIERE
FROM 2009
Special Guest
Short Film Program

The Owls

FREE

Sat, May 15 @ 7:30 pm
Museum of Fine Arts, Boston
Director Cheryl Dunye in person
We celebrate noted filmmaker Cheryl Dunye with the Boston LGBT Film Festival's inaugural Director's award. Ms. Dunye astounded the world with her breakthrough film Watermelon Woman in 1996 and we are honoured to present her latest film The Owls. Please join us in celebrating a filmmaker who has made an amazing contribution to LGBT cinema. About the making of the The Owls: Director Cheryl Dunye and producer Alexandra Juhasz, Candi Gutteres and Ernesto Foronda invited a group of lesbian and gay artists with creative links to work on this project. This marked the beginning of the ‘Parliament Collective’, a large multiethnic artists’ collective that developed the story for The Owls.
Ten years ago ‘The Screech’ was the hottest lesbian band around. Iris and Lily were the lead vocalists, MJ the producer, and Carol always went on tour with them. But the days of big dreams and wild nights have long since past. Sexy Iris now drinks too much and fantasises about a comeback that has yet to materialise. She and MJ split up years ago, but just can’t let go. Carol and Lily are so bored by their relationship that they can’t seem to decide on anything, except perhaps to have a child together. And then Cricket enters this Bermuda triangle of fallow desire, disappointment, anger and boredom. This argumentative twenty-year-old is looking for trouble – and finds it. After a pool party awash with cocaine and alcohol, Iris winds up on Cricket’s lap. This makes MJ – to whom Iris has been unfaithful so often before – even more furious. An argument ensues and escalates into a fight during which Cricket is badly injured and dies. The girlfriends decide to overcome their differences, pull together and get rid of the corpse. Their complicity creates a firm bond. But then, a year later, Skye turns up on Lily and Carol’s doorstep. Revenge is her aim and seduction her strategy … (Description courtesy of The Berlinale)
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