Twelve years after her explosive debut, Baise‐moi, Virginie Despentes is back with the decidedly lighter tale of two middle‐aged women struggling to rekindle their teen‐aged romance after three decades. 40‐ year‐old Gloria (Béatrice Dalle) is still a volatile, art‐punk drifter in the north‐eastern city of Nancy. Frances (Emmanuelle Béart) has settled into a comfortably bourgeois life of marriage (to a gay man) and a career in television. With trouble brewing at work and a husband struggling with writer’s block, however, Frances impetuously summons Gloria to stay with her in Paris, searching for the magic she felt as a rebellious, love‐struck teenager. Youth’s poignant intensity versus middle‐aged nostalgia are evoked in alternating scenes from Gloria and Frances’ young love circa 1984, and the present. With passionate performances by Soko and Clara Ponsot (who play the young Gloria and Frances), a Lydia Lunch cameo and a kickass soundtrack (Siouxsie and the Banshees, Bérurier Noir), this is a film for anybody who has ever wondered about the possibility – or wisdom – of trying to recapture their first big love."

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Remington is in love with Hannah but she finds him lazy and uncouth. Then he starts to change. Suddenly he is becoming neater, nicer, more sensitive. Is he doing it for her? Or is something beyond his control changing him into someone he is not? He discovers that his gradual transformation is tied to something he did long ago, to childhood transgressions and curses uttered in graveyards. Hannah falls for the new and improved Remington, but he starts falling for someone else. As the ghosts of Remington’s past come to haunt him, so do the Zombadings. Undead, fabulous, they threaten to rock this sleepy town to death.

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