Chela and Chiquita, both descended from wealthy families in Asunción, Paraguay, have been together for over 30 years. But recently their financial situation has worsened and they begin selling off their inherited possessions. But when their debts lead to Chiquita being imprisoned on fraud charges, Chela is forced to face a new reality. Driving for the first time in years, she begins to provide a local taxi service to a group of elderly wealthy ladies. As Chela settles into her new life, she encounters the much younger Angy, forging a fresh and invigorating new connection. Chela finally begins to break out of her shell and engage with the world, embarking on her own personal, intimate revolution.

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Vision Portraits is the personal story of filmmaker Rodney Evans (Brother To Brother) as he embarks on a scientific and artistic journey, questioning how his loss of vision might impact his creative future. Through illuminating portraits of three artists: a photographer, a dancer and a writer, the film looks at the ways each artist was affected by the loss of their vision and the ways in which their creative process has changed or adapted.

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Before Christine Hallquist was running for Governor of Vermont, she was David Hallquist, the CEO of the largest locally owned electric utility in Vermont. A self-described “closet environmentalist” Hallquist is dedicated to addressing the way electricity use in America contributes to climate change. But his mission is balanced with the utility’s charge to provide affordable and reliable service. For Hallquist, increasing the efficiency of the grid is the only meaningful route to merging these priorities. He implements one of the country’s first ‘smart’ grids, decreasing outages, increasing the capacity for renewable sources and building a national reputation as an energy pioneer. Resistance, however, comes in many forms – traditionalists balk at the renewable intermittency, solar and wind advocates think Hallquist is dragging his feet, and the public fears that ‘smart’ meters on their homes will send private information about their energy use to the government. As Hallquist struggles to build the kind of transparent company whose honest approach can get stakeholders to accept the realities of how we generate and deliver electricity, he realizes he must apply that same transparency to his personal life and reveals to his son a lifelong secret. Dave Hallquist, who presents as a chainsaw-wielding, hard hat-wearing CEO in a male-dominated industry is a woman inside. Now, Derek’s family must face facts that feel far more immediate than the melting of the polar ice caps and denial emerges as a common theme linking all of these issues. Ultimately the personal and the societal come together as Derek learns that his father, newly named Christine, is still indeed his father – and that Christine’s unique perspective as the first American Transgender CEO to transition in office, may be just the what the limiting, binary worldview on energy and the environment needs.

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