Twelve years after her explosive debut, Baise‐moi, Virginie Despentes is back with the decidedly lighter tale of two middle‐aged women struggling to rekindle their teen‐aged romance after three decades. 40‐ year‐old Gloria (Béatrice Dalle) is still a volatile, art‐punk drifter in the north‐eastern city of Nancy. Frances (Emmanuelle Béart) has settled into a comfortably bourgeois life of marriage (to a gay man) and a career in television. With trouble brewing at work and a husband struggling with writer’s block, however, Frances impetuously summons Gloria to stay with her in Paris, searching for the magic she felt as a rebellious, love‐struck teenager. Youth’s poignant intensity versus middle‐aged nostalgia are evoked in alternating scenes from Gloria and Frances’ young love circa 1984, and the present. With passionate performances by Soko and Clara Ponsot (who play the young Gloria and Frances), a Lydia Lunch cameo and a kickass soundtrack (Siouxsie and the Banshees, Bérurier Noir), this is a film for anybody who has ever wondered about the possibility – or wisdom – of trying to recapture their first big love."

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On February 12, 2008, in Oxnard, California, eighth‐grade student Brandon McInerney shot his classmate Larry King twice in the back of the head during first period. When Larry died two days later, his murder shocked the nation. Was this a hate crime, one perpetrated by a budding neo‐Nazi whose masculinity was threatened by an effeminate gay kid who may have had a crush on him? Or was there even more to it? Looking beyond all the copious news coverage of this tragic event, Valentine Road tells the story of two victims: the deceased and the murderer. With keen insight, the film connects the human wreckage of Larry’s and Brandon’s troubled lives—both physically abused, both from broken homes, and both searching for a sense of belonging. Filmmaker Marta Cunningham puts a human face on a critical issue challenging communities everywhere. Namely, how do we help kids like Brandon and Larry before tragedy happens? Haunting, infuriating, and powerful, Valentine Road shakes us to our core as it calls to question our very notion of justice.

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When the Rev. Christopher Fike was ordained in the Episcopal Church in 1999, he was a straight, married mother of two adorable children. By 2004 he had completed his transition and now identifies as a man. Chris’s decision to change genders ignited tensions in both his family and in a Church still reeling in the aftermath of its consecration of Bishop V. Gene Robinson, the world’s first openly gay bishop. Too Cold Out There Without You is a post‐transition story that looks beyond the act of transitioning and instead focuses on the transformation that takes place in Chris’s relationships with those closest to him. Chris’s family were confused about what would happen to Sarah, the person they had loved for forty years. Chris’s career in the Church was severely derailed by his transition. Forced to take a leave of absence, Chris found himself angry, unemployed and alienated from an institution he loved. And everybody worried about the impact his transition would have on his kids. Chris’s journey looks at what it takes for people to stay connected and shows how our lives can be better together despite unexpected turns life sometimes takes.

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