EVA AND CANDELA is a portrait of two strong, independent women drawn together by a powerful attraction and their shared desire to take on the movie world. As the years pass, their relationship changes from one of passion to logistics. EVA AND CANDELA, director Ruth Caudeli’s first feature film, is adept at balancing the hope and bitterness that pulls at the edges of a struggling relationship. The film jumps back and forth between Eva and Candela falling in love to their future relationship, all within the timeline of the making and release of the film that they have made together.

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Paris, Summer 1979. Anne produces third-rate gay porn. After her editor and lover Lois leaves her, she tries to win her back by shooting her most ambitious film yet with her trusted, flaming sidekick Archibald. But one of her actors is brutally murdered and Anne gets caught up in a strange investigation that turns her life upside-down.

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Before Christine Hallquist was running for Governor of Vermont, she was David Hallquist, the CEO of the largest locally owned electric utility in Vermont. A self-described “closet environmentalist” Hallquist is dedicated to addressing the way electricity use in America contributes to climate change. But his mission is balanced with the utility’s charge to provide affordable and reliable service. For Hallquist, increasing the efficiency of the grid is the only meaningful route to merging these priorities. He implements one of the country’s first ‘smart’ grids, decreasing outages, increasing the capacity for renewable sources and building a national reputation as an energy pioneer. Resistance, however, comes in many forms – traditionalists balk at the renewable intermittency, solar and wind advocates think Hallquist is dragging his feet, and the public fears that ‘smart’ meters on their homes will send private information about their energy use to the government. As Hallquist struggles to build the kind of transparent company whose honest approach can get stakeholders to accept the realities of how we generate and deliver electricity, he realizes he must apply that same transparency to his personal life and reveals to his son a lifelong secret. Dave Hallquist, who presents as a chainsaw-wielding, hard hat-wearing CEO in a male-dominated industry is a woman inside. Now, Derek’s family must face facts that feel far more immediate than the melting of the polar ice caps and denial emerges as a common theme linking all of these issues. Ultimately the personal and the societal come together as Derek learns that his father, newly named Christine, is still indeed his father – and that Christine’s unique perspective as the first American Transgender CEO to transition in office, may be just the what the limiting, binary worldview on energy and the environment needs.

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