Danny Lohman is an actor who takes his work a little too seriously. Pip Armstrong is Danny's ex with a trust fund and a knack of finding trouble. Together they enlist the help of a jaded P.I., Jimmy Peppicelli, to break up a crime spree targeting Hollywood's Gay Mafia. It's definitely a queer way to solve a crime.

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J, a black lesbian stud with mad swagger and stone butch tendencies, and her best friend Seb, a cute white twink with a penchant for brightly colored nail polish, do everything together. Seb assists JJ when she’s photographing gay and straight weddings, they club together, get high together, and they live together…usually harmoniously, even when JJ catches Seb masturbating in their flat’s kitchen. When JJ meets a beautiful femme named Elle at the local pub, Seb warns her that the seductress is trouble, to no avail: JJ is determined to have her, whether she’s seeing someone else or not. As JJ becomes more and more enamored with Elle and they begin a tumultuous, boundary‐pushing relationship, while Seb is busy lusting after his online conquests while thwarting the advances of a flamboyant drug dealer, their once solid friendship begins to waver. But it turns out that Elle has something to hide that JJ can’t wrap her mind around, and Seb’s manly cyber crush isn’t all that he seems. As urban London’s homophobia affects both of their lives in different ways, JJ and Seb must lean on each other and both are forced to reevaluate their own stereotypes and beliefs on love and life. Description courtesy of Angelique Smith of Frameline Film Festival.

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Twelve years after her explosive debut, Baise‐moi, Virginie Despentes is back with the decidedly lighter tale of two middle‐aged women struggling to rekindle their teen‐aged romance after three decades. 40‐ year‐old Gloria (Béatrice Dalle) is still a volatile, art‐punk drifter in the north‐eastern city of Nancy. Frances (Emmanuelle Béart) has settled into a comfortably bourgeois life of marriage (to a gay man) and a career in television. With trouble brewing at work and a husband struggling with writer’s block, however, Frances impetuously summons Gloria to stay with her in Paris, searching for the magic she felt as a rebellious, love‐struck teenager. Youth’s poignant intensity versus middle‐aged nostalgia are evoked in alternating scenes from Gloria and Frances’ young love circa 1984, and the present. With passionate performances by Soko and Clara Ponsot (who play the young Gloria and Frances), a Lydia Lunch cameo and a kickass soundtrack (Siouxsie and the Banshees, Bérurier Noir), this is a film for anybody who has ever wondered about the possibility – or wisdom – of trying to recapture their first big love."

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