Dr Jean Markham (Anna Paquin) returns to the town she left as a teenager to take over her late father's medical practice. When a school-yard scuffle lands Charlie (Gregor Selkirk) in her surgery, she invites him to visit the hives in her garden and tell his secrets to the bees, as she once did. The new friendship between the boy and the bee keeper brings his mother Lydia (Holliday Grainger) into Jean's world. In the sanctuary of the doctor's house the two women find themselves drawn to one another in a way that Jean recognises and fears, and Lydia could never have expected. But, in 1950's small-town Britain, their new secret can't stay hidden forever.

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Before Christine Hallquist was running for Governor of Vermont, she was David Hallquist, the CEO of the largest locally owned electric utility in Vermont. A self-described “closet environmentalist” Hallquist is dedicated to addressing the way electricity use in America contributes to climate change. But his mission is balanced with the utility’s charge to provide affordable and reliable service. For Hallquist, increasing the efficiency of the grid is the only meaningful route to merging these priorities. He implements one of the country’s first ‘smart’ grids, decreasing outages, increasing the capacity for renewable sources and building a national reputation as an energy pioneer. Resistance, however, comes in many forms – traditionalists balk at the renewable intermittency, solar and wind advocates think Hallquist is dragging his feet, and the public fears that ‘smart’ meters on their homes will send private information about their energy use to the government. As Hallquist struggles to build the kind of transparent company whose honest approach can get stakeholders to accept the realities of how we generate and deliver electricity, he realizes he must apply that same transparency to his personal life and reveals to his son a lifelong secret. Dave Hallquist, who presents as a chainsaw-wielding, hard hat-wearing CEO in a male-dominated industry is a woman inside. Now, Derek’s family must face facts that feel far more immediate than the melting of the polar ice caps and denial emerges as a common theme linking all of these issues. Ultimately the personal and the societal come together as Derek learns that his father, newly named Christine, is still indeed his father – and that Christine’s unique perspective as the first American Transgender CEO to transition in office, may be just the what the limiting, binary worldview on energy and the environment needs.

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Meet Miss Rosewood! Self-appointed transgender terrorist on New York hardcore performance scene, a walking scandal on high heels, and the only woman in town with enough balls to empty a condom into the hair of Leonardo DiCaprio. No limits are too sensitive to be transgressed by the fearless missus, who spreads both terror, horror, admiration, as well as bodily fluids left and right in an environment otherwise accustomed to pretty much everything. But there is a sensitive and likeable person behind the thick makeup and Helle Jensen has reached through to her in a film, which is not afraid to take 'a walk on the wild side', but which also joins Rosewood, backstage, where she has the name Jon Cory, and a family that has learned to understand the persona with whom she acts out her dreams and fantasies. Written by CPH:DOX

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