Described as a lesbian Slacker, this first feature offers an inside look at lesbian life in the 1990s. There’s Max, who is looking for love, and Kia, who thinks she’s found it in Evy. But to complicate Kia’s life, there’s the seemingly available Ely, who lives with the loose Darla, who in turn believes Ely would like Max. “There’s an innocence about the characters that’s usually missing from ‘lesbian chic’ coverage; these women look more like twenty-something figures in underground video or Alison Bechdel’s Dykes To Watch Out For*.* GO FISH begins just about where coming-out films used to end.” — Sundance Film Festival

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This preposterously affected bodice-ripper is set in a raunchy harbor town teeming with sexually aroused and confused transportees. One such is brooding Lawrence Hayes (Kevin Smith), pouting sweatily like a refugee from a Levi’s ad. Opulent dressmaker Dorothea Brook (Jennifer Ward-Lealand) enlists his help to save her opium-addicted sister from the sensual, callous fop Fraser. Nostrils flare, lower lips quiver, impossible skirts trail over checkered floors, uncorseted bosoms bounce, sex of all preferences is simulated—climaxing with the lesbian lovers happily walking into the sunset. “Dares to be bad and succeeds quite splendidly.” - Time Out UK

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A no-holds-barred exposé of the raunchy, creative juices flowing in the writer’s veins, director Gerry Ciccoritti pulls out all the stops in this relentless tale of sex, sex, sex, and more sex! Lucy Quick, a hip young novelist cast in the image of Anaïs Nin, finds herself suffering from writer’s block and at the end of her tether. Enter Sloan, a wiry avenging angel with a perpetual hard-on. They embark on an odyssey to the center of their sexual imaginations, eventually drawing in everyone around them. Ciccoritti demonstrates true finesse in his direction of straight, gay, and S&M sex scenes, pushing sexual tension beyond expected limits into the realm of absolute anarchy and hilarity.

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