Set in a remote Chilean mining town in 1982, Diego Céspedes’ dazzling debut feature follows young Lidia, who grows up within a vibrant queer household led by drag performers and trans women. When a mysterious illness—rumored to spread through the gaze between men—sows fear and hysteria, the community becomes the target of suspicion and violence. Through Lidia’s eyes, Céspedes crafts a haunting allegory of love, myth, and prejudice that reimagines the early AIDS era as a queer western with poetic intimacy and desert-dry surrealism.

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Bouchra, a 35-year-old Moroccan coyote in New York documents her long-distance relationship with her mother in Casablanca, as they explore together the love, pain and secrets that unite them through calls and intimate conversations.

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March is mourning his wife Nat who has recently passed away due to dust pollution. He discovers her spirit has returned by possessing a vacuum cleaner. Disturbed by a ghost that appeared after a worker’s death shut down their factory, his family reject their unconventional human-ghost relationship. Trying to convince them of their love, Nat offers to cleanse the factory. To become a useful ghost, she must first get rid of the useless ones.

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