US PREMIERE

SHORT FILM PROGRAM

WORLD PREMIERE

FESTIVAL SPOTLIGHT

THROWBACK FROM 

Men’s Shorts

Our Bodies Ourselves

Thursday

Apr 6, 2017

@

10:30 pm

Wicked Queer 33

With Faraz Ansari (Sisak), Benjamin-Shalom Rodriguez (Bettas), Ross Boucher (Bettas) in person.
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Director
Year
Run Time
min
Country
Language
PROGRAM Time
minutes
CONTENT WARNING:
This film is presented in with English subtitles.
A cinematic series of desires, passions, the heights and depths of emotions, and plenty of corporal fluids.
Wicked Queer is proud to co-present this program with
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Presented with...

Program includes...

This short film program includes the following films:

Aflterglow

CONTENT WARNING:
Afterglow is a sensorial movie about finding the joy of living again. David discovers that his boyfriend Allen is suffering from depression and, on the course of a day, makes him see the beauty and pleasure of the most mundane things. Dir. Akira Kamiki. 12 min. Brazil. 2017.
Find on Letterboxd ↗

Seeking: Jack Tripper

CONTENT WARNING:
'Seeking: Jack Tripper' is a short romantic comedy about a gay married couple who try to have a threesome in an attempt to overcome a rut in their relationship, only to realize just how rusty domestication has left their pickup game. Dir. Quinlan Orear. 14 min. USA. 2016.
Find on Letterboxd ↗

Dads

CONTENT WARNING:
After a night of drinking and sex, 21-year-old Scott finds his Sunday morning interrupted by an unexpected visit from his father. When Scott’s fortysomething friend-with-benefits Doug also shows up, all three men find themselves in a quietly awkward world of ambiguity and things unsaid. Dir. Ethan Roberts. 11 min. USA. 2016.
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3 Cafes

CONTENT WARNING:
A filmmaker attempts to capture the moment of letting go but instead captures something he longs to hold onto. Dir. Robert Gray. 3 min. Canada. 2016.
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Charlie's P.O.C.

CONTENT WARNING:
Though he's reluctant to revisit his past, Charlie returns to the apartment he used to share with his ex-boyfriend to pick up a few things. Instead of his ex, it's his ex's mother who greets him, and she has some things she'd like to share. Dir. Kevin Hartford. 7 min. Canada. 2016.
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Bettas

CONTENT WARNING:
On vacation for a friend's destination wedding, boyfriends Francisco and David get into a petty squabble that quickly escalates. Dir. Benjamin-Shalom Rodriguez. 8 min. USA. 2016.
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The Exterminator

CONTENT WARNING:
A man living alone confronts a mysterious infestation in his apartment. Dir. Eli Rarey. 13 min. USA. 2016.
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Demons

CONTENT WARNING:
Matt, a young serial killer, struggles to accept his sexuality. After reaching his breaking point he hesitantly accepts a secretive date with Adam who, together with his parents, help steer his life in a more positive direction.
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Masc Only

CONTENT WARNING:
Gay best friends, Tommy and Wesley, unwittingly venture to an intimidating party hosted by the gay elite. Basically it's just 'Mean Girls' except everyone is gay and 40. Dir. Jesse Klein. 12 min. USA. 2016.
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Hardcore

CONTENT WARNING:
Two young Israelis try their best to satisfy the dominant sexual swagger of a German tourist who describes himself as a fan of “Hardcore”. Dir. Moshe Rosenthal. 8 min. Israel. 2016.
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Sisak

CONTENT WARNING:
Sisak is India's First Silent LGBT Love Story in the format of a Short Feature Film. Dir. Faraz Ansari. 16 min. India. 2017.
Find on Letterboxd ↗

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FROM 2016
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Sun, Apr 09 @ 12:00 pm
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in person
"My mother and I have lived like strangers under one roof for decades. The only exchanges between us are the meals she cooks for me since we never talk to each other. One day, I finally summon up the courage to sit her down and make her talk. But am I ready to hear what she has to say?" Anu is a tomboy. Although she was married off at a young age – as was customary in Taiwan in the 1970s – and had two children, she quickly divorced her violent husband and brought up her daughters alone. Since then her only relationships have been with women who, like her, earn a living as professional mourners at funerals. One of her daughters is filmmaker Hui-chen Huang. It’s considered taboo in Chinese culture to question a mother’s unconditional love, and yet this is exactly the topic of Huang’s intimate portrait. Mother and daughter set off on a journey together into the past during which Anu is confronted with questions that have tormented her daughter for years. In a series of long shots the two women discuss such topics as trust, abuse and cognisance, and yet most of these discussions end in painful silence. Shifting focus in order to plumb the depths of the depicted room, the director attempts to understand her mother by also talking to her mother’s siblings and ex-lovers. In doing so she paints a picture of changing living conditions for three generations of women in Taiwan.
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