Straitlaced optometrist Weichung is finding the typical married life difficult, as his wife, Feng, unfulfilled by her white‐walled office job and spurred on by her mother, pushes him for a second child. Then he bumps into an old friend from his gay past, setting off an unexpected array of dormant emotions. Meanwhile, his sister Mandy flees her sad sack fiancé San‐San, coping via comfort food and the fantastical appearance of a soap opera star on her couch. Arvin Chen’s sophomore feature is a fresh and playful comedy about the brave fronts put forward in the search for a satisfying family life and job. Whimsy is never far from this story, both through the appropriately sappy soundtrack and several dream‐like touches: not just a soap opera star, but one character whose retirement is symbolized by his magical floating away on an umbrella and a breakout karaoke sequence reinforced by the title Shirelles song. Outstanding performances by Richie Ren and singer Mavis Fan as the central married couple help Chen find a true emotional core, especially in the heartrending moment when Feng realizes the truth about her husband’s dalliances, inspiring a charming look at what happens in a traditional society when you seek a big change.

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Remington is in love with Hannah but she finds him lazy and uncouth. Then he starts to change. Suddenly he is becoming neater, nicer, more sensitive. Is he doing it for her? Or is something beyond his control changing him into someone he is not? He discovers that his gradual transformation is tied to something he did long ago, to childhood transgressions and curses uttered in graveyards. Hannah falls for the new and improved Remington, but he starts falling for someone else. As the ghosts of Remington’s past come to haunt him, so do the Zombadings. Undead, fabulous, they threaten to rock this sleepy town to death.

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The film shows the secret, yet open lives of a group of Pakistani sexual minorities, raising questions about trans‐gender activism, religion, underground gay life, social acceptance and collective familial customs of trans‐genders in urban Pakistan. The film follow Neeli Rana: a trans‐gender activist, whose courage and persistence made the apex court of Pakistan to grant basic civil rights in favor of “the third gender”. Kami: a fearless and flamboyant boy, who dares to speak about his out gay life criticizing those who live with a secret. Waseem: a veteran dancing boy, who struggles with his sexuality and chooses to denounce it due to familial pressure and Jenny: a transgendered and a recently castrated college student who bitterly regrets her transition.

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