Vito Russo was at the forefront of every gay rights movement from Stonewall to the AIDS crisis in the 1980s, as a passionate advocate for justice in the newly formed ACT UP, and a co-founder of GLADD. In 1981, he published his landmark book The Celluloid Closet that examined the way Hollywood depicted homosexuality. It was the most extensive record to date of LGBT representation on screen, and forced an examination of film's often-homophobic messages. It still remains the definite text on the subjects and is studied worldwide. With heartwarming and humorous interviews of Vito's family and friends (Armistead Maupin, Jeffrey Freidman, Rob Epstein, and Lily Tomlin among them), and clips from an astonishing collection of film treasures, Vito presents a moving portrait of the person who paved the way for and proved the importance of LGBT film festivals like ours. Even after his death in 1990, his story continues to inspire and his mark on the gay community is unquestionable. (Description adapted from the Seattle Lesbian and Gay Film Festival.)

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In June 2003, the Episcopal Church in New Hampshire came under fire when it became the first to elect an openly gay man, Gene Robinson, as a bishop. Since that flash point, Robinson has been at the center of the contentious battle for LGBT people to receive full acceptance in the faith. Director Macky Alston (whose film, Family Name, won the Freedom of Expression Award at the 1997 Sundance Film Festival) follows Robinson into the breach in the struggle for equality. While resolute in his calling, Robinson grows increasingly critical of the central role that religious institutions have played in fostering homophobia and hatred. He is pointedly not invited to a once-a-decade convocation of bishops and courts controversy by attending. His presence the next year for the Episcopal General Convention underscores the impact of its impending decisions about the church’s stance on the consecration of future gay bishops and the performance of same-sex marriage ceremonies. While Robinson never intended to be the poster boy for gay bishops, Love Free or Die demonstrates that he has become a beacon of hope for millions. His history-making church provides a model for other communities of faith to treat all people with dignity and respect, regardless of their sexuality. (Description courtesy of the Sundance Film Festival.) Winner, U.S. Documentary Special Jury Prize for An Agent of Change, Sundance Film Festival.

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LGBT Cinema has truly become an international phenomenon. From countries as diverse as Israel, Romania, Singapore, and the Philippines, queer filmmakers are telling their stories with candor. Join us for the best shorts from around the world.

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