Johnny, a white Bahamian artist from Nassau, is depressed and creatively uninspired. Under instructions from his teacher, he relocates to the rural island of Eleuthera, where he meets the confident Romeo, a local boy who inspires a new creative drive in him. Johnny and Romeo embark on a passionate love affair, but when Romeo's fiancée and overbearing mother arrive at his home unannounced, he is asked to make some important decisions about his life and his relationship with Johnny. Meanwhile, Lena, the wife of an ultra-conservative pastor, also arrives on the island. With her marriage on the rocks, and a growing realisation that her husband is not who he appears to be, Lena sets out on a campaign to spread her anti-gay policies among the quiet community. As Lena's crusade gathers momentum, she is challenged by her friend Reverend Ritchie, a liberal clergyman who forces her to question her beliefs and to re-evaluate her rigid political stance. Sweepingly romantic and gorgeously photographed, the film's aesthetic and emotional pleasures are undeniable. In positioning this classic tale of young love against a backdrop of violent homophobia and social unease, director Kareem Mortimer has also crafted a striking examination of identity and gay politics in the Bahamas, tackling these weighty issues with a confidence and sincerity that makes the film universal in its themes. Emerging from a region not known for the production of gay film, Children of God is an important and bold piece of work, signalling Mortimer as a hugely promising talent in the future of world cinema. (Description courtesy of London Lesbian & Gay Film Festival).

In a South Pacific nation comprised of many cultures, the diversity that comprises the transgender worldwide family is captured by the artistry of Rebecca Swan. The New Zealand photographer combines parallel artistic, activist and gender transformative processes in her work. Swan’s personal and spiritual connection to the gender variant talent makes each photograph more of a progression than an image. Assume Nothing delves deeper into those represented in Swan’s artwork as she collaborates with individuals who are given control over their representation. (Description courtesy of Frameline 2009.)

Already firmly in a life crisis at 12, things go from bad to worse for Jesse Hawthorne when her emotionally disconnected father moves the family to a rural town, a place whose beauty belies the toxic normality at its core. Jesse is almost immediately bullied by the local mini-mean girls in training, who find Jesse’s tomboy nature both repellent and yet somehow attractive. Her only ally is neighbor Jacob, who has his own demons (including an aggressive paint huffing brother) that he is trying to escape. Together they form likely friendships with the local super nerds, and, as puberty begins to hit their circle, everyone soon has a crush on each other, regardless of gender. Once Jesse and her outsider posse discover punk rock and sneaking out to shows, nothing will stop them as they embrace who they are and rise above the closed minds of their community. Complete with an infectious soundtrack, Night Fliers will remind you about the transformative power of friendships, and how salvation can come from unexpected places. (Description courtesy of Charlotte Gutierrez, Frameline 33)