Sadie’s art is her photography. Nico’s art is her life. Together they explore Britain’s 60’s mod culture of music, fashion, drugs and vintage scooters in contemporary Los Angeles. Sadie observes the world through the lens of her 35 mm camera, but everything changes when she meets Nico, the new “mod” girl who was born with Milroy’s disease that causes her to have abnormal swelling in her foot. Nico doesn’t hide her disability, in fact she loves the spotlight. Sadie is drawn into Nico’s thrilling world of aesthetics where Sadie learns about herself and who she really is.

Ten years ago ‘The Screech’ was the hottest lesbian band around. Iris and Lily were the lead vocalists, MJ the producer, and Carol always went on tour with them. But the days of big dreams and wild nights have long since past. Sexy Iris now drinks too much and fantasises about a comeback that has yet to materialise. She and MJ split up years ago, but just can’t let go. Carol and Lily are so bored by their relationship that they can’t seem to decide on anything, except perhaps to have a child together. And then Cricket enters this Bermuda triangle of fallow desire, disappointment, anger and boredom. This argumentative twenty-year-old is looking for trouble – and finds it. After a pool party awash with cocaine and alcohol, Iris winds up on Cricket’s lap. This makes MJ – to whom Iris has been unfaithful so often before – even more furious. An argument ensues and escalates into a fight during which Cricket is badly injured and dies. The girlfriends decide to overcome their differences, pull together and get rid of the corpse. Their complicity creates a firm bond. But then, a year later, Skye turns up on Lily and Carol’s doorstep. Revenge is her aim and seduction her strategy … (Description courtesy of The Berlinale)

Johnny, a white Bahamian artist from Nassau, is depressed and creatively uninspired. Under instructions from his teacher, he relocates to the rural island of Eleuthera, where he meets the confident Romeo, a local boy who inspires a new creative drive in him. Johnny and Romeo embark on a passionate love affair, but when Romeo's fiancée and overbearing mother arrive at his home unannounced, he is asked to make some important decisions about his life and his relationship with Johnny. Meanwhile, Lena, the wife of an ultra-conservative pastor, also arrives on the island. With her marriage on the rocks, and a growing realisation that her husband is not who he appears to be, Lena sets out on a campaign to spread her anti-gay policies among the quiet community. As Lena's crusade gathers momentum, she is challenged by her friend Reverend Ritchie, a liberal clergyman who forces her to question her beliefs and to re-evaluate her rigid political stance. Sweepingly romantic and gorgeously photographed, the film's aesthetic and emotional pleasures are undeniable. In positioning this classic tale of young love against a backdrop of violent homophobia and social unease, director Kareem Mortimer has also crafted a striking examination of identity and gay politics in the Bahamas, tackling these weighty issues with a confidence and sincerity that makes the film universal in its themes. Emerging from a region not known for the production of gay film, Children of God is an important and bold piece of work, signalling Mortimer as a hugely promising talent in the future of world cinema. (Description courtesy of London Lesbian & Gay Film Festival).