Writer/Director Sergio Tovar Velarde brings his latest feature The Divine Tragedy to Boston for its World Premiere. Set in Mexico City, Cristián (Artús Chávez) is a former telenovela actor used to a life of luxury. When his husband of 24 years kicks him out, he is forced to move in with his hard-partying, messy gay half-brother, Roy (played by the hypnotic Pablo Gómez). The two wildly different men must learn to coexist as Cristián tries reinventing himself and Roy confronts the reality of his hedonistic lifestyle. Sergio Tovar Velarde’s drama/comedy (heavily influenced by pop aesthetics, comics, anime, and Almodovar-esque over-the-top characters) breathes fresh air into contemporary queer cinema. As the director himself says, “It’s a film that celebrates the right to reinvent oneself, to fail without guilt, to make a fool of oneself, and to start over.”

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Open Endings is a highly acclaimed 2025 Philippine queer film by Nigel Santos, celebrated for its realistic portrayal of sapphic relationships, focusing on four queer women (exes-turned-best-friends) navigating love, heartbreak, friendship, and chosen family, offering a nuanced look at queer lives beyond typical tropes, and highlighting the depth of lesbian bonds

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Z lives to sing — musical theatre is his whole world, and his star is rising fast. But when a big audition goes off the rails, he’s left questioning everything: his career, his relationship, his voice, and how his identity as a newly trans masc performer fits into it all. Just when it seems like curtains, Z meets a warm, no-nonsense vocal coach who helps him rediscover his sound. Add a new gig as a barback and a charming boss named Santi into the mix, and suddenly life is hitting a different kind of high note. As Z finds a new voice that reflects who he is now, the story becomes a celebration of resilience, self-discovery, and newfound identity.

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